There Now, by Eamon Grennan: I’ve forgotten what led me to request this poetry collection from the library, so if it was your recommendation, please let me know in the comments! This was my first time reading Mr. Grennan’s work (I’m sure I’ve said this before, but the more I read contemporary poetry, the more I realize I haven’t read) and I enjoyed it thoroughly. There Now features poems that are short on commas, long on inventive hyphenated adjectives, and virtuosic in their syntax. I’ll be adding this to my Christmas list come the end of the year.
A Separation, by Katie Kitamura: In A Separation, the narrator learns that her estranged husband is missing, and travels from London to Greece to seek him out. That their separation is secret makes an already unfortunate situation even more complex, especially when Christopher’s overbearing mother and possible fling are thrown into the mix. This is a cool, controlled a novel that’s more about the narrator’s psychology and observations on relationships than it is about the mystery plot. While I appreciated those observations and Ms. Kitamura’s handling of alienation as a theme, the style—run on sentences meant to approximate the slip-patter of thought—was to me intrusive, and detracted from my reading experience.
Whereas, by Layli Long Soldier: I’ll be posting a full review of this searing collection soon.
My Darling Detective, by Howard Norman: This new novel by one of my favorite authors didn’t disappoint. Full review coming soon.
There Are More Beautiful Things Than Beyoncé, by Morgan Parker: Goodness, I wish I could have made it into Boston to hear Ms. Parker read from this collection—with their rhythmic intensity, these poems beg to be read out loud. Pop culture, politics, and personal experience are woven together throughout the collection, which ranges in tone from jaunty and risqué to forlorn. “I’m a little unpolished / behind the scenes,” the poet writes. Some of my favorite poems include “99 Problems,” “Delicate and Jumpy” (“I’m a museum / of necklines and cloudscapes, a heaven / diving into the wrong hard mountain.”), “Afro,” and “Slouching Toward Beyoncé.” An excellent collection and a must-read for its perspectives on race, feminism, and vulnerability.
Saga Vol. 7, by Brian K. Vaughan & Fiona Staples: I adore Saga; it convinced me to try other comics and graphic novels, but aside from Alison Bechdel’s Fun Home, none have impressed me like Saga. This installment is pretty bleak, but I think that was to be expected. Can’t wait to see what’s in store for Hazel and her family next.
I’ve requested Whereas from the library; I can’t wait. Looking forward to reading your thoughts on it.
It’s SO good. Afterland is coming up soon for me–can’t go wrong with Graywolf.
I was hoping you would read and review My Darling Detective! I heard (from Bookish Beck) he was born in the Halifax hospital.
Whoops, I meant library. 🙂
😀
Yep! Such fun.
Oh, Lord, I was considering reading A Separation, and now I think I’ll give it a miss. Stream of consciousness type stories simply are not for me, I’m afraid! (Hilariously and unfairly, the reason I was thinking of trying Katie Kitamura is that I loved her husband’s book, White Tears, which has some stream of consciousness bits in it. But they don’t show up until three-quarters of the way through the book, so I rolled with it.)
I don’t mind stream of consciousness (Mrs. Dalloway is one of my all-time favorite novels), but this one just didn’t work for me. Ah well. Had no idea her husband is a writer too!
I, too, found the style of A Separation offputting. Glad you enjoyed the new Howard Norman!
Glad I’m not the only one!