Last Week’s Reading: March 26 – April 1

There Now, by Eamon Grennan: I’ve forgotten what led me to request this poetry collection from the library, so if it was your recommendation, please let me know in the comments! This was my first time reading Mr. Grennan’s work (I’m sure I’ve said this before, but the more I read contemporary poetry, the more I realize I haven’t read) and I enjoyed it thoroughly. There Now features poems that are short on commas, long on inventive hyphenated adjectives, and virtuosic in their syntax. I’ll be adding this to my Christmas list come the end of the year.

A Separation, by Katie Kitamura: In A Separation, the narrator learns that her estranged husband is missing, and travels from London to Greece to seek him out. That their separation is secret makes an already unfortunate situation even more complex, especially when Christopher’s overbearing mother and possible fling are thrown into the mix. This is a cool, controlled a novel that’s more about the narrator’s psychology and observations on relationships than it is about the mystery plot. While I appreciated those observations and Ms. Kitamura’s handling of alienation as a theme, the style—run on sentences meant to approximate the slip-patter of thought—was to me intrusive, and detracted from my reading experience.

Whereas, by Layli Long Soldier: I’ll be posting a full  review of this searing collection soon.

My Darling Detective, by Howard Norman: This new novel by one of my favorite authors didn’t disappoint. Full review coming soon.

There Are More Beautiful Things Than Beyoncé, by Morgan Parker: Goodness, I wish I could have made it into Boston to hear Ms. Parker read from this collection—with their rhythmic intensity, these poems beg to be read out loud. Pop culture, politics, and personal experience are woven together throughout the collection, which ranges in tone from jaunty and risqué  to forlorn. “I’m a little unpolished / behind the scenes,” the poet writes. Some of my favorite poems include “99 Problems,” “Delicate and Jumpy” (“I’m a museum / of  necklines and cloudscapes, a heaven / diving into the wrong hard mountain.”), “Afro,” and “Slouching Toward Beyoncé.” An excellent collection and a must-read for its perspectives on race, feminism, and vulnerability.

Saga Vol. 7, by Brian K. Vaughan & Fiona Staples: I adore Saga; it convinced me to try other comics and graphic novels, but aside from Alison Bechdel’s Fun Home, none have impressed me like Saga. This installment is pretty bleak, but I think that was to be expected. Can’t wait to see what’s in store for Hazel and her family next.

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Comics Round Up

I know, Dear Readers: that’s a post title you probably didn’t expect from these quarters.

I’m unpredictable.

Given my nearly unassailable geek credentials, comics should be situated squarely in my wheelhouse, but two factors have stood in the way:

  1. I hate cartoons. With limited exceptions, I find them aesthetically displeasing and grating to the ear (my son’s current favorite, Paw Patrol, is the worst offender right now). Pixar movies are fine because they’re made for adults to enjoy, but I have been done with Disney movies for many years (and that’s not even taking into consideration the deplorable antifeminist and heteronormative sentiments of most of them). South Park, The Simpsons, Futurama, anything on Adult Swim: sorry, no. For years, I though of comics as cartoons in paper form.
  2. I like to have all the information. I realize that’s broad, so let me re-frame: I like to start a story from the very beginning with confidence that there will be an ending of some sort; if a story is particularly gripping, I like to know that I can read (or watch) the next installment pretty much immediately. This is why it’s been hard for me to get into Dr. Who; even if we started at the reboot, I’ll feel as though I’m missing quite a bit—and of course there’s no way I’m catching up on decades’ worth of TV any time soon. This is also why I’ve been waiting to start the Kingkiller Chronicles and to move on to Ann Leckie‘s Ancillary Sword (although the third book in that trilogy is out now, so I suppose I could). And that’s why I’ve never been interested in jumping into Marvel or D.C. comics—it would be virtually impossible to catch up after all these years. And since I associated comics with superheroes for a long time, it didn’t really occur to me that other kinds of comics might be out there.

So, for most of my reading life, I happily disregarded the existence of comics.

But then someone somewhere on the vast interwebs posted about a new comic called Saga; the first volume (collecting issues one through six) of this fantasy space opera features an interspecies couple on the cover, with the armed mother breastfeeding.

I am so totally here for that.

I bought it immediately, and now I’m hooked. It’s so much fun to read—think the best parts of Dune and Star Wars with pulp elements and a love story—and Fiona Staples’s art is just gorgeous, awash in color—it perfectly complements Brian Vaughan’s text. Saga was the gateway drug to a bunch of other comics (all out from Image, now that I think about it) that I read this year. Here’s my rundown of what to read and what to skip.

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Saga (Brian K. Vaughan & Fiona Staples): Definitely read this if you like sci-fi. There are now five volumes out and I’ve loved all of them, but I’d say the first two are perhaps the strongest. Note that Saga is intended for an adult audience: there’s some sex, a great deal of violence, and mature themes throughout.

ODY-C (Matt Fraction & Christian Ward): I wanted to love this, since it’s a gender-twisted version of the Odyssey set in space. While the artwork is really something—it seems like it wants to splatter off the page, and the colors combinations are inventive—I found two major sources of disappointment. One was the style of the writing, which was going for the archaic feel of some Odyssey translations but too often ended up as mangled syntax. The other was the gender-bending—I’m all for it in theory, but the artwork and writing combined portrayed female sexuality as monstrous (part of a long tradition)—and I don’t think the inventiveness of the project was enough to redeem it. Skip this one.

Monstress (Marjorie Liu & Sana Takeda): The art in this comic, described as “a dark fantastic adventure set in an alternate 1900s Asia,” is absolutely gorgeous, all the more remarkable for its limited palette. The story is complex; the main character, Maika, is on a mission of vengeance, infiltrating an enemy stronghold for reasons that weren’t fully clear in the first issue. It seemed that all or nearly all the characters are female, which was refreshing (you’ll notice that Ms. Liu, Ms. Takeda, and Ms. Staples are the only women among the writers and artists I’ve listed here). I’d love to see where this story goes, but given how dense it is—novelistic, almost—I think I’m going to wait for the first collection to come out before I continue reading. Recommended, though.

Sex Criminals Vol. 1: One Weird Trick (Matt Fraction & Chip Zdarsky): This came highly recommended from a few sources. I liked the hilarious title and the ridiculous premise (the main character, a librarian, discovers that time stops whenever she has an orgasm, and when she meets another person who shares her talent, hijinks ensue), but I just wasn’t into the storyline. Maybe it became more interesting in later issues, but I can’t stop time with any weird trick, alas, and life is short, so I’m afraid I won’t be finding out. Lots of other readers were really into this comic, so I’d recommend checking it out at the library.

Paper Girls (Brian K. Vaughan & Cliff Chiang, plus Matt Wilson and Jared Fletcher): I’m only a couple issues into this comic, but I like it quite a bit. Four paper delivery girls in Ohio (hey Buckeyes!) in the 80s are trying to finish their route in the wee hours of Halloween, but run across more trouble than they anticipated. This review in the Onion’s A.V. Club is spot-on. I’m not going to run out to buy every issue, but I’d definitely pick up the volume of collected issues when it comes out. I’d recommend it to any Goonies fans out there.

That’s it for this year, Dear Readers. Have you read any comics this year? What did you like? What should I be looking for next year?

P.S. If you’re a comics fan who’s stumbled across this post, let me take this opportunity to recommend a novel: Michael Chabon’s The Amazing Adventures of Kavalier & Clay. The title doesn’t lie; it’s one of my favorite books.