A light week, Dear Readers, for the best of reasons: a delightful post-Easter visit from family. Hope you’re all enjoying spring (or autumn, for you Southern Hemisphere folks).
Afterland, by Mai Der Vang: A haunting debut poetry collection; full review to come.
Spaceman of Bohemia, by Jaroslav Kalfar: Like Meg Howrey’s The Wanderers, Spaceman of Bohemia is literary sci-fi that explores questions of surveillance, ambition, and love, but it’s quite a bit weirder and much less invested in realism. In 2018, Czech scientist Jakub becomes his country’s first astronaut, sent into space (in a ship whose components are named after various sponsoring companies) to study a cloud of cosmic dust near Venus. The mission takes Jakub from his beloved wife Lenka, but offers him the opportunity to rise beyond the taint of his Communist informant father’s past. However, lonely days in space start to feel less like heroism and more like insanity; soon Jakub is conversing with a Nutella-loving giant space spider (Imaginary? Maybe, maybe not) and sharing, almost re-living, his childhood memories of the rural village where his grandparents tried to protect him from the consequences of his father’s sins. Spaceman of Bohemia is an odd and touching debut novel, and I recommend it.
Float, by Anne Carson: I bought Float last fall as a birthday present to myself, but after paging through it, decided to wait for a quiet day to take it all in. That day was Saturday, but I think I’ll need quite a few more before I process the whole thing. Float is a collection of 22 chapbooks that can be read in any order. Poetry, essays, lectures, performances, hybrid forms—they’re all here, in that inimitable Anne Carson style. It was the prose that drew me most this time, especially a gorgeous essay on translation (“Variations on the Right to Remain Silent”) and “Uncle Falling: A Pair of Lyric Lectures with a Shared Chorus.” If you’re an Anne Carson fan, Float is a must-read.