My friend Emily sent me A Fox Appears by Jennifer Stewart Miller, and I’m so grateful she did (thanks, Emily!). This is a small gem of a book, “a biography of a boy in haiku,” as the subtitle has it.
In six sections, the poet gives us glimpses of her son’s early life through haiku. Maybe you, like me, spent a fifth-grade unit on haiku, struggling to conjure up nature imagery and conform to the 5/7/5-syllable format (those pesky articles and conjunctions, am I right?). As it turns out, rules are meant to be broken; the charming folks at the Academy of American Poets tell us that in modern haiku-writing, while some formal elements may lapse, “the philosophy of haiku has been preserved: the focus on a brief moment in time; a use of provocative, colorful images; an ability to be read in one breath; and a sense of sudden enlightenment and illumination.”
That is exactly what I found in A Fox Appears. As Ms. Miller shows, the haiku is an ideal form (perhaps the ideal form) for evoking a parent’s perspective of the fleeting phases of early childhood. These poems are perfectly, unexpectedly descriptive; their simplicity enhances their perceptiveness.
Here are a few of my favorites (with apologies since the line indents won’t come through):
I stroke the sole
of your foot — small toes
flick open like a fan.
Tiny hands —
fiddlehead ferns
waiting to unfurl.
Patient as stone
you drop stones
in the sea.
The washing machine
empties your pockets —
acorns acorns.
Across a green field
a bluebird flew —
you were at school.
Lovely, aren’t they?
Cats, the moon, stones, and feathers appear throughout this slim volume, tying together the observations and giving us a sense of the passing of seasons and years. And I should note too that Franklin Einspruch’s beautiful black and white gouache artwork complements the poems very well. A Fox Appears is a beautiful volume, and recommended. Thank you Emily!
Have you ever written haiku? Do you have a favorite?
These are so sweet, especially “Tiny Hands.” I’ve never read a whole book of haiku, I don’t think, only interspersed with other types of poems.
I haven’t either, but this was very calming, quite a delightful experience.
Lovely. Although I must say, giving up discipline in haiku is like giving up school figures in ice skating. Form so often leads to beauty. Without form, beauty is chancier.
Well, in Japanese the sound units don’t necessarily match up to syllable count, so in one respect English haiku in the prescriptive 5-7-5 format already deviate from the original form.
What a pretty little book. And the haiku does seem to be able to capture the little fleeting moments so well!
I think you’d take a shine to this one 🙂
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